!1: Now is the time My Passage from India: A Filmmaker's Journey from Bombay to Hollywood Order Today!
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Oct 19, 2010 05:57:14
Ismail Merchant is known for the extraordinary films he's produced with the American director James Ivory, among them
A Room with a View,
Howards End, and
Remains of the Day. But when he's not making these lush, expensive costume dramas, he's making movies in his native India. In
My Passage from India he takes us on a guided tour of how a middle-class Muslim named Noormohamed Abdul Rehman became an internationally acclaimed producer with a string of award-winning films to his credit.
My Passage from India is a fascinating look at the Bombay film industry-called Bollywood-from the 1950s through today, and how Holly- and Bollywood have intersected through Merchant's film career. Merchant amusingly recounts how his passion for movies was born in the streets of Bombay. He details his precocious wanderings from London to New York, where he first encountered his lifetime collaborator, James Ivory, and raised money for his first short film, and ultimately to Hollywood. Merchant lovingly recalls the circumstances of the movies he's shot in India, the Western stars he cast-and entertained-from James Mason to Jeanne Moreau to Vivien Leigh to Greta Scacchi, and the vast obstacles that his home country often presented-along with the movie magic that was the frequent result of his efforts.
With seventy-five photographs and a fabulous narrative,
My Passage from India is a vivid memoir and colorful account of the lasting impact India has had on the thing Ismail Merchant does best: filmmaking.
!1: Best Buy Mr. Merchant is an excellent story teller. If you are looking for light, entertaining read, this book is a good investment. If you expect this book will introduce you to Ismail Merchant, it will not. It will introduce you to Ismail Merchant the producer and director of off-beat films who, with indefatigable zeal for film making, has earned the right to be included in the list of international film makers. An enterprising individual who is a self-made entrepreneur.
A more accurate title would be: An Indian film maker's passage from India. Because there is little that Merchant discloses about himself or even his trade. Living and interacting in a world of glamor and beauties, Merchant is mum about his emotions. If such a lively individual has a romantic side, the book discloses nothing. Except his childhood "innocent" infatuation with India's popular actress Nimmi in the fifties, Merchant displays or at least discloses no other "infatuation." Apparently, he never married. Despite starting his feature film career with the Householder (1962), Merchant never discloses why he himself did not decide to be a householder himself. There is an underlying shyness or uncomfortableness in revealing himself to the reader. Or being so deft and intelligent Merchant is saving his real autobiography for another time. In this book all we are allowed is a glimpse of Merchant the enterprising film producer and his incredible journey..
Unlike many Merchant-Ivory early art films, Merchant's book is entertaining and written in a vivid, uncomplicated style. If like me you are familiar with the terrain (India) and time (60s the pre-inflation golden age of India), Merchant can transport you back to those giddy times. With a touch of a maestro, he brings vivid recollections of the golden age of Indian cinema of which the West knows very little. He weaves exotic connections between India's art directors (Satyajit Ray and himself), Bombay film world and Hollywood. Surprisingly, except for Bombay Talkie and a documentary, his interactions with Bombay are very limited.. It was Bombay that triggered his love of the cinema.
Do not expect to get philosophical definitions of anything from this versatile man. He sets out to make films on Indian themes. Yet, what is "Indianness" is never commented upon let alone any attempts toward defining. Ironically, Merchant's first feature film (Householder) meets with limited success in New York, not because of any unique "Indianness" but because of universal human qualities and situations it depicts: An intrusive mother-in-law, compliant Son, a stubborn, independent daughter-in-.law and falling in love all over with spouse in her absence. Indians are not that different after all!
Many readers will not pay much attention let alone be bothered. What did bother me was the apolitical nature of Mr. Merchant. With the exception of his boyhood partition memories, no political events on any continent, including those that effect him are mentioned. Maybe art films can be separated from politics. But why is his book so apolitical is beyond me. Ironically, to this day Mr. Merchant is harassed by the corruption that pervades India's governments. Still he has very little to say about politics and its effects on people. When Utpal Dutt (actor with a leading role in his film The Guru) is arrested, Merchant approaches the Prime Minister of India, Indira Gandhi. With some manuevering Dutt is conditionally released by the West Bengal communist government. The film is made. Merchant, however, does not question the arrest. Individual rights, rule of law, abuse of government powers are never mentioned let alone questioned. (No mention of Nehru's death or Indira Gandhi's murder. No mention of the deteriorating conditions in India-- the mismanagement of public resources and the duping of the public, mobsters , the Hindu-Muslim riots taking of innocent life--all the unpleasant realities of India are meticulously avoided. Maybe it is bad marketing to expose the underbelly of India.
Yet Merchant is exposed to this underbelly in his own account while filming the Courtesans of Bombay, in the red light district of Bombay. He, first hand, encounters the exploitation of woman by hands of criminals. He witnesses switchblade fights but does nothing to expose the sad plight of the dancing women. The dance of life must go on. That the government has failed is not obvious to Merchant (I told you he was very apolitical) Is there honor in receiving the Padma Bhushan from such a failed establishment?
Okay, when it comes to socio-political realities, Mr. Merchant is neither a Charles Dickens or Mark Twain. What Merchant lacks in political depth he makes up in an effusive sense of humor which can compete with either Dickens or Twain. My Passage From India, is a great, true short story that will enthrall, in particular people familiar with the terrain and time. There is a joke or a quip embedded in every page. Like all great men Mr. Merchant undoubtedly has a great sense of humor, passion for life which, of course, includes food . I can go on and on (like Aan, Nimmi's great Hindi film which made an impression on young Merchant and goaded him to follow his calling.) But in deference to short artistic film I must stop.
I do not know Mr. Merchant personally nor am I connected in any way with Merchant-Ivory company. Nor am I am being paid to write this. Therefore, my advice is unbiased. Go ahead and buy My Passage From India Especially those who love Indian literature in English. As with the legendary Merchant cuisine (I trust his judgment on that) this book shall not disappoint. on Sale!
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